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Frank Zappa - One Shot Deal (Zappa
Records, 2008)
The latest release from the Zappa vault is
sort of like a miniaturized version of the You Can't Do That On Stage Anymore series, spanning
several different Zappa eras. The first track on One Shot Deal
contains the unmistakeable vocals of Napoleon Murphy Brock and
George Duke, getting down and dirty with the greasy gutter funk of
Bathroom Man, which spot-lights Duke's lively, up-beat singing and
keyboard playing, followed by a blistering blast of guitar from
Frank. Next up is the interstellar dissonance of Space Boogers, one
of my favorites on the album, which conjures up a musical meeting
between Edgar Varèse and The Max Rebo band at a wake for William S.
Burroughs. Space Boogers would have felt at home on
Weasels Ripped My Flesh , as would the song that follows it, Hermitage, with more
zany head-melting minimalism. After that we have Trudgin' Across The
Tundra with its mellow yet slightly maniacal percussion and bass
which gives off the distinct aroma of Willy The Pimp, and is quickly
joined by a skittering trumpet solo by Gary Barone which is rather
reminiscent of ye olde Waka Jawaka.
I just realized that if anyone reading this is not a fan of Frank
Zappa then I may as well be talking in tongues. I'm just assuming
that if you're a fan of weirdomusic, then you'll be a fan of Frank's
too. But then again, as Al Franken says, when you assume, you make
an ass of Uma Thurman. Sorry Uma, but let's move on, shall we kids?
For fans of Frank's guitar work, Occam's Razor is the original,
unedited guitar solo that became On The Bus, and truly shines
without the narrative distraction on Joe's Garage. Heidelberg is
another little guitar gem taken from a performance of Yo Mama from
1987. It begins with familar territory, yet veers off becoming
funkier and even catchier than the original solo. Following those 2
magical numbers we take a bit of a nose-dive in my view, with yet
another version of The Illinois Enema Bandit. Having said that, the
band plays brilliantly, and Zappa's guitar solo is raw and rude,
with Frank fairly well strangling the damn thing towards the end.
The Australian Yellow Snow is one for fans who like to hear amusing
Zappa stage banter about huskies and piss, (among other familiar
topics), which finally moves on into a killer orchestral section
which doesn't last long enough, particularly after 7 minutes of
Zappa's waffling. But the closer on the album makes up for it: Rollo
is a kind of big band version of St Alphonso's Pancake Breakfast and
it kicks the proverbial poodle's ass!
Overall, I would say that One Shot Deal is one of the best
posthumous Zappa releases I've heard so far.
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Joe Pickell
-
Zappa.com
- Frank
Zappa @ Wikipedia
-
Frank Zappa biography
- Zappa CD's @ Amazon.com
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