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Obituaries Archive

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Composer/arranger Bob Thompson dies

– June 4, 2013Posted in: Obituaries

The mainstream music press hasn’t paid much attention to this, but our sources inform us that composer, arranger and orchestra leader Bob Thompson passed away on May 21, aged 88.

Irwin Chusid reports: “I just spoke with Paula Thompson, who informed me that her husband Bob passed away in a nursing home on May 21. I can’t find any obits online. Bob had been in poor health for years, and except for avid Exotica enthusiasts, his work has been overlooked. But as a musician-arranger-conductor, he was a class act.”

Bob Thompson (born 1924, San Jose, California) was a composer, arranger, and orchestra leader from the 1950s through the 1980s. Active in Los Angeles, Thompson scored film and television soundtracks, and wrote commercial jingles. He is considered a prime exponent of what has belatedly been termed “Space age pop,” or “Space Age Bachelor Pad Music.” This style of breezy, experimental orchestral music became popular in the 1950s and 1960s following the introduction of the long-playing microgroove record and the advent of high-fidelity and stereo home audio systems, which allowed enhanced sonic reproduction.

Thompson composed, arranged, and conducted orchestra for such artists as Rosemary Clooney, Mae West, Julie London, Bing Crosby, The Andrews Sisters, Duane Eddy, Judy Garland, Jerry Lewis, Van Dyke Parks, and many others.

His classic RCA Victor albums, recorded in Los Angeles, featured many of the top session talent from the late 1950s west coast jazz scene, including drummer Shelly Manne, percussionist Emil Richards, alto saxophonist Bud Shank, trombonist Frank Rosolino, trumpeter Al Porcino, guitarist Al Hendrickson, and bassist Red Callender.

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Composer Steve Martland dies aged 53

– May 7, 2013Posted in: Obituaries

British composer Steve Martland has died on May 6th at the age of 53, his publisher Schott Music has announced. Liverpool-born Martland studied composition under leading Dutch composer Louis Andriessen in the Hague.

“We are very sad to announce that Steve Martland, one of the outstanding voices in British music since the mid-80s, died in his sleep on the night of 6 May,” his publisher said in a statement.

The composer’s music, described by Schott as “often amplified, muscular and powerfully rhythmic”, has been extensively choreographed in productions including Drill, for the Sydney Opera House, Crossing the Border, for the Dutch National Ballet, and Danceworks, which was premiered by the London Contemporary Dance Theatre.

His publisher said he rejected “academic dogma in favour of plurality of musical influences, both ancient and modern, serious and vernacular” and had frequently worked with artists “outside classical institutions”.

He collaborated with the band Spiritualized, in 1998, for Edinburgh’s Flux Festival. In 2008, he wrote Starry Night for percussion and strong quartet for the Tromp music festival in Eindhoven, the Netherlands.

Choral works include Street Songs, written for King’s Singers and percussionist Evelyn Glennie.

The composer, whose own Steve Martland Band tours his music internationally, also wrote Tyger Tyger, for charity Youth Music’s Sing Up campaign. His scores for TV include Granada children’s show Wilderness Edge and he wrote and co-directed A Temporary Arrangement with the Sea, a film about his mentor, Andriessen, which was shown on BBC TV.

[Source: BBC News]

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Canadian Singer Stompin’ Tom Connors Dies

– March 7, 2013Posted in: Obituaries

Canadian country-folk singer Stompin’ Tom Connors, whose toe-tapping musical spirit and fierce patriotism established him as one of Canada’s biggest cultural icons, has died. He was 77.

Connors passed away from natural causes at his home Wednesday evening. The musician was best known for songs “Sudbury Saturday Night,” ”Bud the Spud” and especially “The Hockey Song,” a fan favorite played at hockey arenas around North America.

Although wide commercial appeal eluded Connors for much of his four-decade career, his songs are regarded as veritable national anthems thanks to their unabashed embrace of all things Canadian.

Connors is said to have begun his musical career when he found himself a nickel short of a beer at the Maple Leaf Hotel in Timmins, Ontario, in 1964 at age 28. The bartender agreed to give him a drink if he would play a few songs, and that turned into a 14-month contract to play at the hotel. Three years later, Connors made his first album and garnered his first hit in 1970 with “Bud The Spud.” Hundreds more songs followed, many based on actual events, people and towns he had visited.

He was appointed to the Order of Canada in 1996, one of the country’s highest honors. He also had his own postage stamp.

[Source: Billboard.com]

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Singer Kevin Ayers dies, age 68

– February 20, 2013Posted in: Obituaries

English songwriter and core member of the Canterbury scene Kevin Ayers has passed away at the age of 68. Ayers recorded a series of albums as a solo artist and over the years worked with Brian Eno, Syd Barrett, John Cale, Elton John, Robert Wyatt, Andy Summers, Mike Oldfield, Nico and Ollie Halsall, among others.

After living for many years in Deià, Majorca, he returned to the United Kingdom in the mid-1990s before moving to the south of France. His last album was Unfairground, which was recorded in 2006.

British magazine MOJO reports: “Kevin Ayers possessed a voice like no other, intrinsically British and full of whimsy and mischief. This latter quality animated much of his life as well as his music.

Born in Herne Bay, Kent, in 1944, Ayers was raised in Malaysia before returning to England at the age of 12 where he attended Simon Langton Grammar School For Boys, later described as “a hotbed for teenage avant-garderie”. His first band, The Wilde Flowers, formed in the summer of ’63 and also featured Robert Wyatt and Hugh Hopper, both of whom (along with Ayers) would have a huge effect on what became known as The Canterbury Scene.

By mid-1966 The Wilde Flowers had morphed into The Soft Machine and featured Ayers on bass and vocals, Robert Wyatt on drums and vocals, Mike Ratledge on organ and Daevid Allen on guitar – the latter, both older and wiser, and a key influence on Ayers. The band’s sound evolved dramatically, as they began blending jazz influences and beat-inspired incantations to their psychedelic sound.”

Read the full obit here.

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Influential jazz trumpeter Donald Byrd dies

– February 8, 2013Posted in: Obituaries

Influential jazz trumpeter Donald Byrd passed away on Monday February 4th due to causes not yet revealed. He was 80 years old. According to Amoeba Records, the news was passed along by Byrd’s nephew, Alex Bugnon.

Byrd (born Donaldson Toussaint L’Ouverture Byrd II on December 9, 1932) launched his career with Art Blakey’s Jazz Messengers in the 1950s, and he performed alongside giants including John Coltrane, Thelonious Monk, Sonny Rollins, Eric Dolphy, and Herbie Hancock. Byrd’s first regular group was a quintet that he co-led from 1958-61 with baritone saxophonist Pepper Adams, an ensemble whose hard-driving performances are captured live on “At the Half Note Cafe”. In June 1964, Byrd jammed with jazz legend Eric Dolphy in Paris just two weeks before Dolphy’s death from insulin shock.

Donald Byrd was an artist crucial to the roster of the legendary jazz label Blue Note Records, recording on a number of big-ticket albums, including the best-selling Black Byrd. In the 1970s, Byrd worked with a fusion group called the Blackbyrds, releasing hits like “Happy Music” and “Walking in Rhythm”.

Byrd’s influence was felt long past his peak as a recording trumpeter. His work has been sampled by hip-hop artists ranging from Public Enemy and Nas to Madlib and the Pharcyde.

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Art Tripp remembers Ray Collins

– January 3, 2013Posted in: General news, Obituaries

We recently passed on the sad news that original Mothers of Invention vocalist Ray Collins had died on December 24th. A couple of days later we received a note from drummer Art Tripp (through his friend Christopher Garcia), who worked with both Frank Zappa and Captain Beefheart. Here are Art’s memories of Ray Collins:

It’s not quite dawned on me yet that Ray Collins is no longer in this terrestrial world. Since the late 1960’s it had always been a type of comfort to me to know that Ray was around. And Ray did get around. A child of the 1930’s, he came of age in the 1950’s when times were good. He developed a free spirit and a resistance to labels and rules. His fine tenor voice got him work in prominent L.A. doo-wop bands; but he took other types of work as well. One of them was a good paying job building sets for the movie studios. He told me he quit because he got tired of the idiots.

He joined up with Roy Estrada and Jimmy Carl Black in the Soul Giants. When their guitar player quit they hired Frank Zappa, a musician Ray had worked with earlier in the 1960’s. Soon the Mothers of Invention were born, and Ray helped front the band, and was its lead vocalist for the next three years. His ribald and off beat sense of humor was a perfect complement to the unclassifiable group.

When I joined the band in 1968, it was as if I’d died and gone to heaven. The humor, the iconoclasm, the musicianship, and the wide variety of music were a perfect fit. And to me Ray was the fountainhead of the basic nature of the band. Yet later that year Ray’s distaste for the group’s musical direction compelled him to announce that he was leaving the group. I was stunned. Everyone was shocked. How could he quit when the group was getting so popular, and starting to provide us with so much work? But off he went, and I felt that he took the spirit of the Mothers with him.

Ray had his own convictions, and he was never one to veer from them. He resolutely held to his beliefs no matter what the popular course. As a man of the people, an everyman, Ray was a true free spirit—a Beatnik, and a wanderer.

I have many memories of Ray. We played the Grammy Awards in ’68 at the plush NY Hilton. Steve Allen was the host that year, Woody Herman and his Herd was the house band. When they drew the curtain up for our performance Ray walked over to Steve and said, “How’s your bird”? Allen let out a big horse laugh, and the guys in Herman’s band doubled over in stitches.

Ray joined us for a last gig in San Diego in 1969. During the show Ray improvised a gag which lampooned Jim Morrison’s “exposure” on stage a few weeks prior. Morrison’s antics had sent shockwaves throughout rock ‘n roll, and people suspected he’d gone too far. So Ray’s satire caused the entire audience to come unglued.

We kept in touch over the years. A few months ago my wife and I went out to L.A. to visit old friends. We got together with Ray down at the venerable Phillipe’s Restaurant near Union Station. Afterwards we spent some time at Olvera Street, then we walked down to Union Station to see Ray off on his train back to Claremont. After a few final words, he turned and walked down the tunnel to his train. As I watched him go, I knew that it would be the last time I was to see Ray. Yet I never would have dreamed that he’d be gone in six months. Goodbye, old friend. I can hear you singing to them in heaven.

- Art Tripp

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Singer Patti Page dies, age 85

– January 2, 2013Posted in: Obituaries

One of America’s musical icons, Grammy-Award winner Patti Page, has died at a nursing home in Encinitas, California op January 1st, according to her personal manager. She was 85.

In her seven-decade recording career, Page sold more than 100 million records making her one of the most successful female recording artists. Page performed all over the world and was often asked to sing her biggest-selling record, “The Tennessee Waltz” which she recorded in 1951. Others know her as the voice behind the recording “(How Much Is That) Doggie In The Window.”

In the 70s, Page shifted her focus to country music as traditional pop music became less popular. A few songs made it on the Billboard country chart.

Page was inducted into the Oklahoma Music Hall of Fame in 1997. She is expected to be honored with a Lifetime Achievement Grammy award in 2013.

[Source: www.nbcchicago.com]

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Mothers of Invention vocalist Ray Collins dies, age 75

– December 25, 2012Posted in: Obituaries

Singer Ray Collins, one of Frank Zappa‘s original Mothers of Invention, passed away on December 24, after being in a medically induced coma for several days.

Ray Collins started his musical career singing falsetto backup vocals for various doo-wop groups in the Los Angeles area in the late 1950s and early 1960s, including Little Julian Herrera and the Tigers. In 1964, Collins, drummer Jimmy Carl Black and bassist Roy Estrada joined with Frank Zappa to form The Soul Giants, which, under Zappa’s leadership, turned into the Mothers of Invention.

Ray was the lead vocalist on the Mothers’ early albums, including Freak Out!, Absolutely Free and Cruising with Ruben & the Jets. He contributed to other Zappa projects through the mid-1970s.

Ray Collins was 75 years old.

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Synth pioneer Pete Namlook dies, age 51

– November 16, 2012Posted in: Obituaries

Pioneering German synth musician Pete Namlook (born Peter Kuhlmann) has passed away at the age of 51.

Namlook released well over 100 albums of electronic and ambient music throughout the ’90s, including collaborations with Richie Hawtin, Klaus Schulze, Move D and Biosphere. His work embraced a huge cross-section of musical infuences – including techno, prog, psych and modern classical and saw him constantly reshaping the boundaries of synthesised music.

In ’92 Kuhlmann founded the label FAX +49-69/450464 (commonly known as Fax) in his native Frankfurt. Over the years Fax built up a huge archive of synth-heavy cult releases, often issued in limited batches.

Namlook’s daughter Fabia has issued the following statement: “It is with much grief that we announce the passing of Peter Kuhlmann, AKA Pete Namlook. We are still shocked and are working on an official announcement that will follow soon to bring clarity to our minds. As word spreads on the internet more and more we just want to make clear that he died peacefully from as yet unspecified causes on 8th November 2012. We will announce more details as and when they surface.”

[Source: Musicradar.com]

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Composer Elliott Carter dies at age 103

– November 6, 2012Posted in: Obituaries

Classical composer Elliott Carter, whose challenging, rhythmically complex works earned him widespread admiration and two Pulitzer Prizes, died yesterday at age 103.

In a 1992 Associated Press interview, Carter described his works as “music that asks to be listened to in a concentrated way and listened to with a great deal of attention. It’s not music that makes an overt theatrical effect, but it assumes the listener is listening to sounds and making some sense out of them.”

The complex way the different instruments interact in his compositions created drama for listeners who made the effort to understand them, but it made them difficult for orchestras to learn. He said he tried to give each of the musicians individuality within the context of a comprehensible whole.

While little known to the general public, he was long respected by an inner circle of critics and musicians. He remained very active, taking new commissions even as he celebrated his 100th birthday in December 2008 with a gala at Carnegie Hall.

Besides composing, Carter wrote extensively about 20th-century music. A collection of articles, “The Writings of Elliott Carter: An American Composer Looks at Modern Music,” was published in 1977.

Read the full obit at nytimes.com.

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